I Have Been Weaving

But not blogging.  It's just not a habit for me yet.  But I have some things to share, and I've realized that I can do that anytime, in any order, even if the "thing" happened some time ago.

My friend, Marie-France, co-owns a small knitting, spinning and weaving shop here in Ottawa called "Wabi-Sabi".  This winter she purchased quite a lot of Louet Euroflax lace yarn.  It's a 100% linen singles yarn, about the size of 2/8 cotton, that comes in lots of colours.  One of her shop assistants suggested she ask me to make something in it as a sample for the shop.  She brought a selection of the yarns to a Guild meeting, let me poke around a bit, then told me I could have 2 cones if I made a sample.  I had a think, and when I went to the shop about a week later to pick up my new 15dpi heddles I had an idea.  I took 2 cones home, one in "heron grey" and one in "lavender" 630yds/100g each, to make two dishtowels in 4 thread waffle.

Now I had to figure out how to make the colours work together and use up nearly all of both of them.  I played around on iWeaveIt for quite a bit until I had a stripe pattern in both directions that pleased me.  It's a fibonnaci sequence counting by waffle units.  I made my best guess about sett and picks per inch, figuring the towels would be my sampling.  I used 2 15dpi heddles threaded at 150% for an effective sett of 22.5epi.

Hobbes helped me warp.  If it hadn't been for Himself coming to the rescue, Hobbes might now be playing the part of Schroedinger's Cat in a real life re-enactment of the thought experiment since I wasn't sure if I wanted him dead or alive... (for those who do not have a physicist/engineer in the family tree, Schroedinger was trying to illustrate concepts of Quantum Physics and the problem of the effect of observation by imagining (he didn't actually do this) a cat in a sealed box with a vial of poison gas which would be released by the decay of a radioactive isotope.  At any time, you wouldn't know for sure if the cat was dead or alive unless you looked, so, mathematically, the cat could be both alive and dead at the same time).   In other words, Hobbes was being an extra large pain in the backside, in that, half way through warping, he decided to jump on the warp which pulled both the peg and loom part way out of their clamps, thus ruining my tension.  Thankfully, the warp didn't come off the peg, nor did the peg come completely out of its clamp.  He's cute, but don't be fooled.  He is 19lbs of PITA when I'm weaving.

Himself extracted Hobbes from the warp and removed him from the room with stern words, then discussed possible improvements to the clamping systems, none of which he could make happen right then.  Then he disappeared for a bit, returning with the following brilliantly simple solution:

A 2x4" and two Quick Clamps and the loom no longer shifts from the tension of warping, nor from the assault on the warp of 19lbs of "Helpy Helper".  Linen yarn really does need firm tension, the loom was probably slipping even before Hobbes landed on the warp, so I'm really pleased with this little innovation.

A stiff drink and grateful thanks to Himself later I did manage to get the loom warped and ready to weave.

There are variations of waffle weave for the RH, but most of them seem to be simple warp and weft floats laid out as a grid.  True waffle is actually like this:

The threading is a point twill on any number of shafts.  "Stitchers" (that's what Sharon Alderman calls them) of plain weave hold down diamonds of warp and weft floats.  The longer the longest floats are, the deeper the "pockets"of the waffle will be. 

This is what the fabric looks like after washing.  You can see the longest floats are loose on the surface while the "stitchers" are pulled into little pockets.

To make this happen I threaded the draft above with the 1s in the front heddle holes, the 2s and 4s in the slots and the 3s in the back heddle holes.  Then I picked up the 4s on a pickup stick.  The iWeaveIt draft shows a "lift plan".  The numbers in the treadling show which threads should be lifted for each shot.  By manipulating the heddles and the pickup stick in various combinations I could make all the lifts I needed happen. 

The weaving went very well with a little help from Peggy Osterkamp's blog and her Tensioning Linen Warps post.  Linen yarn really is hard to tension.  It is so stiff it will put your eye out.  And knots slip.  And you think you have it all lashed on nicely and you blink and everything is all over the place.  The misting trick worked a charm.  Mostly.  I still had to fuss with the threads on the outside edges, but I often have problems with those.  For the most part, stuffing bits of rolled up napkin under the loose warp threads at the back beam solved that issue.  I also found that the most recent weft shot bounced back when beaten but a firm beat with the heddle seemed to pack in shots lower down appropriately. 

I ran out of the lavender yarn.  I'm not sure if there wasn't quite as much on the cone as stated or if I made a mistake in measuring somewhere.  iWeaveIt did warn me I was cutting it pretty close.  I think the hems were a bit longer than I had intended when I did the calculations.  Also, my picks per inch weren't quite what I expected.

Here is one of the finished towels.  I did press them, but linen wrinkles when you look at it sideways and this one has been travelling a bit.  Fresh off the loom the cloth was almost as stiff as thin cardboard but just one washing softened them up quite a bit

I think this is the one that didn't quite make it to the end of the planned stripe sequence, the longer one is hanging out at Wabi-Sabi for a while.  There should be a short stripe of lavender weft at the top to balance it.  Despite that, I am rather pleased with the overall effect.  Next time, I think I will start with a wider stripe (skipping the "2" and "3" unit wide stripes maybe and going straight to "5") so that I can end with the last stripe completed and a short contrasting stripe at the top. 

I should probably do it again and write out a pattern.  But, for now, I have something completely different on the 32" loom that I will tell you all about another time. 

Summer & Winter: A Tutorial in Towels

I did it!

I finished the tutorial and kits just in time for Twist in August and FibreFest in September.  Then I got busy with work and didn't do much about it, including blogging about it.  Part of that is not really knowing quite what to do next as I'm not really a salesperson or marketer, the other part is having a lot of other things (like work and the new OVWSG workshop schedule for 2016) on my plate.  However, my friend Sandy is a very good enabler and gave me just the right shove to take some more steps.  It was a bit of big shove:  she talked to Liz Gipson, the Yarnworker, author of Weaving Made Easy and star of several very good RH instructional videos, at Rheinbeck who offered her assistance and advice.  Liz suggested just putting the kits and tutorials up on Etsy and writing a blog post about them.  And graciously offered to put a link to them in her newsletter, which is, quite possibly, how you got here.

So, here's how I spent my summer holidays, writing a 54 page tutorial in towels to teach Summer & Winter on the RH loom.  (for more about S&W on the RH see Here Be Elephants)

My friends and guildmates had been pestering me to give a workshop on Summer & Winter for quite some time, but I couldn't quite figure out how best to do that. I'm a spinning teacher after all, not a weaving teacher.  Some of you will recall that I was never going to be a weaver at all.. (see: My Name is Elizabeth and I'm a Weaver).  I decided I could write something, then I searched around for an appropriate project.  I don't really like "workshop samplers", at my house they end up stuffed in a corner somewhere.  I wanted something that would end up as a functional piece of cloth, that would fit on most people's looms.  I finally settled on tea towels.  At least, I think they are towels, at Twist several people informed me they are actually placemats.   In the end it doesn't matter, the cloth is a useful size when it is finished without being too big for a first try at a new technique.

While I wrote my friends Beth, Terry and Sandy pitched in again and read over drafts of the book and did some test weaving.  They had multiple adventures in the process including the pawls on Sandy's loom suddenly declining to hold tension and tossing most of the warp on the floor midway through the project and Beth's grandchildren cutting off half her warp for reasons still not entirely clear...

However we muddled through and here is what the finished project looks like:

The kit contains a disc with copies of the PDF in high resolution (so you can see the pictures more clearly) and lower resolution (so it fits better on a mobile device like an iPad), hard copies of the graphs needed and enough yarn to complete the two towels and the bonus Polychrome sample.  To weave them you need an RH loom with at least 16" wide (it fits on my Ashford 16" which really isn't quite 16" of weaving width after being rounded up from the metric measurements it was designed in) set up for 2 heddles, 2 10 dpi heddles and 2 pickup sticks at least 16" long. 

These are some of the colours of the kits I came up with, with considerable help from Marie-France who joined me on a road trip to Brassard in August.  We spent about 2 hours wandering through the aisles picking out the 2/8 and 4/8 yarns I needed.  A LOT of yarn followed me home!

Then Terry and Christine spent considerable time each helping me wind those balls of yarn to make up the kits.  My "Spare Kid", Claudia spent more than a day of her summer vacation helping me design the packaging and burning the DVDs.  She also drew the threading diagram for me.

Showing them off for the first time at Twist was an adventure.  I had another set on the loom so people could watch the process live.  Many older weavers with tons of shaft loom experience were quite taken by my little loom that can.  They would look at the pattern developing on the cloth, then at the loom, then at the ground and
ask "where are the treadles?".  I tried to show them how the pickup stick and 2 heddles translated to what they were familiar with, sometimes I succeeded.  Several of them were very intrigued with how light and portable my loom is as well.

I repeated the process again at FibreFest in Almonte and more people were intrigued.  Weavers seem to fall into two camps: those who want the loom to do the work and are willing to have big,
complex looms to make that happen and those who like the compact, lightweight, simplicity of the RH loom and are willing to do pickup etc to make complex patterns happen.  I am hopeful there are plenty of people in my camp who want to try this out, and that the kits will be an enjoyable introduction to Summer & Winter on the Rigid Heddle loom.

A few kits are up on Etsy now.  You have the choice of a full kit with yarn and printed graphs (of which I have a limited supply), or just the disc with the PDFs (these I can make very quickly so the supply is reasonably endless).  If you choose the PDF you will need about 410 yards of 2/8 cotton in EACH of 3 colours and 205 yards of 4/8 cotton in a colour that contrasts well with the 2/8 colours.  

I am thankful to my friends for alternately shoving me and supporting me in this little adventure and to Liz for advising and encouraging a stranger.  I'm hoping we won't be strangers for long.  I'm also full of more ideas for the RH loom so I'm hoping the adventure continues with more tutorials and kits in the future.

Here be Elephants

In late January I started weaving again in response to a plea for Linus blankets for CHEO. While the effort described here is not quite going to cut the mustard as a Linus blanket (I have a lot to learn about take up and shrinkage and general size planning for weaving, really, I have a lot to learn about weaving period, but more about that later) it has rather started me down a hopefully long and fruitful path of exploration and ultimately sharing.

I had made a successful blanket in Summer and Winter on the RH almost 5 years ago for a friend's new baby.  Said baby is now in Kindergarten and her Mum tells me the blanket is very well used, as a car blanket, a picnic blanket, floor mat, toy box cover and more.  I'm glad it isn't wrapped in tissue or hanging on a wall, such gifts are meant to be used.  I thought that experience might get me started on the right track.

Summer and Winter on the RH as I do it is really a tapestry technique. Anything I can graph in 2 colours I can weave.  For some reason I was hooked on the idea of an elephant blanket. I just needed a graph. Enter Stitch Sketch for iPad, an app that will import an image and convert it to a graph in as many or few colours as you want. Google images provided several likely candidates.  I finally settled on one that, with a bit of editing and fiddling, produced this graph:

Summer and Winter works in 4 thread units in the warp and 8 thread units in the weft. Each warp unit has 2 "tie down" threads and 2 pattern threads which alternate. On the RH the tie down threads are threaded in the holes of the heddles alternating between the two (i.e. tie down 1 or "x" goes in the front heddle hole, then a pattern thread in the slot, then tie down 2 or "y" in in the back heddle, then the 2nd pattern thread in the next slot).  The pattern threads are controlled in pairs
by a pick up stick.  For each row of the graph you pick up a pair of pattern threads for each filled in pattern square from behind the heddles. For this blanket I used 4/8 cotton for the warp threaded at 10dpi in 2 10 dpi heddles on my 32" Ashford RH loom.

In weaving there are several sequences you can use for the weft which each give a more or less different effect.  I chose x-y-y-x this time based on a sampler I made before I made the first baby blanket. This means that for each row of the graph after I made the pick up I wove the following shots:

1.  Both heddles up for tabby using navy 2/8 cotton (traditionally the tabby weft is usually the same weight as the warp but I wanted this tabby to be less noticeable and Judith said it would work - she's the S&W expert).
2.  Front heddle (x) up, back heddle down, stick forward to raise the pattern threads. Weave with 8/8 cotton pattern weft, in this case, elephant grey. The pattern weft is usually twice the diameter of the ground warp and weft.
3.  Both heddles down for tabby with 2/8 navy
4.  Back heddle (y) up, front heddle down, stick forward to raise the pattern threads with 8/8 grey
5.  Both heddles up for tabby with 2/8 navy
6.  Back heddle (y) up, front heddle down, stick forward to raise the pattern threads with 8/8 grey
7.  Both heddles down for tabby with 2/8 navy
8.  Front heddle (x) up, back heddle down, stick forward to raise the pattern threads with 8/8 grey

Check the graph, make a new pick up and repeat... 147 times. It isn't fast but it isn't really slow either once you catch the rhythm. I used Knit Companion (free version) on the iPad to keep my place on the graph. I used a safety pin with a cleverly designed stitch marker from Clover that holds a little piece of paper for keeping track of what block I was on. Every 10 rows I pinned the marker at the fell line and wrote the row number on the paper.  Every 5th row I put a safety pin in without the note. I leapfrogged the two markers as I went so I could easily count and see where I was.

The tag and marker are at the bottom right of the picture.  This is where I weave, sitting on a pillow on the floor with the loom against the fireplace ledge.  You can also see the iPad with the graph, and two sticks - I always leave the current stick in and use it to guide the next pick up.  When I'm sure I have it right I pull out the old stick.  The heddles are in down position so that the slot threads are on top both in front and behind the heddles.  They show up in pairs, in this case made even clearer because I changed colours every unit.

Since no post is complete without an appearance from the "helpers" here are Seven and Bandit, the newest members of the Helpy Helpers team:

Yes, I can weave with a cat on my lap (well, Seven the extra small one, anyway, not sure Hobbes the extra large would fit), and yes, Bandit is UNDER the loom.  He was pretty good about not trying to catch the shuttle from there.

And here it is all washed and finished, except for trimming the fringe, which I think I like and isn't a problem if it's a wall hanging rather than a baby blanket.  I will spare you the pictures and commentary of fixing a tabby error I found after I took it off the loom for now.

Weaver's side up

Weaver's side down

It came out a bit smaller than I anticipated.  I was aiming for 28"x52" for a Linus blanket.  I warped full width on the 32" (which is actually 31.5") with 96" of warp.  Draw seemed to be less than 1" either side, but off the loom it relaxed to 28.5" wide.  It was only 62" long and I used almost every inch of warp I had - loom waste was about 4" on the front (to the beginning of the hem) and less than 14" on the back.  Lessons in take up learned.  I also noticed that I beat the beginning less well than the end.  Apparently the threat of running out of warp with 2" to go is a good beating motivator. 

Still I am ridiculously pleased with it.  This simply couldn't be done on a harness loom.  There aren't enough harness nor treadles to control 80 independent blocks.

For my next trick, I'm going to work on a tutorial kit that will thoroughly teach Summer and Winter on the RH.  I'm still trying to figure out a good project, but I am leaning toward a tea towel sampler in 2/8 ground warp and weft with 4/8 pattern weft.  I want to have the kit with yarn, complete tutorial and sampler pattern put together in time for Twist, Fibrefest and the Guild Sale which means a lot of work between now and August...

My loom can do 4 shaft patterns, too

I keep getting asked when I'm going to get a 4-shaft or more loom, as if my RH looms are inadequate or limited.  Well, they do have some limitations, but not nearly the limits previously reported.   I have been experimenting with 4 shaft patterns using 2 heddles and 1 pick up stick permanently placed.  The front heddle controls the 1 threads, the slots control the 2 & 4 threads, the back heddle controls the 3 threads and the stick controls the 4 threads.  The limitation is that the 2 threads cannot be chosen independent of the 4 threads, but it turns out that with a bit of clever re-ordering of threads quite a lot of patterns work quite well.

I present the following examples of the new range:

On the left is a sample done in dishcloth cotton on 2 5 dpi heddles threaded at 5 epi.  The bottom half is waffle, the very bottom is beaten much to hard, far too many ppi.  Even properly beaten it's too loose at that sett.  The top half is Bumberet (I love that name, silly, but true), not so bad but the sett is still wrong.  It was enough to tell me I was on the right track, though, as the weaving sequence was easy and it worked.  On the right is the same thing on 2 7.5 dpi heddles threaded at 7.5 epi.  The beat is right throughout this one.  Much better, but the waffle floats are still a bit long for a Linus blanket.  The Bumberet will work for a Linus, though.

I didn't have enough width to try the Atwater-Bronson variation I wanted from Handwoven Jan/Feb 2015 on the dishcloth cotton so I tried a huck next.  Had to fiddle with the threading a bit to make it work in my system, but I'm quite pleased:

On the loom

Washed one side

Washed, the other side

 

 

 

 

 

 I had quite a bit of warp left over from Judith's class so I started messing with that.  Without changing the threading I tried some Summer and Winter and a 3 shaft waffle:

This is 2/8 cotton warp and tabby weft with 4/8 pattern weft .  The waffle sample is 2/8 for both warp and weft.  Sett is 20epi for all.  Summer and Winter really doesn't show itself to full advantage on the loom. Here's what the other side looks like after washing:

 

Last, I rethreaded the Flip with doubled ends to try that Atwater Bronson Variation.  One of my limitations is the range of setts I can get, especially when I am using both heddles to control threadings that repeat on one heddle.  This one goes 1-3-1-3-1-2 for a bit which means that even with two heddles I can only sett it at the stated heddle dpi, in this case 10dpi.

I love it.  The green weft is 4/8 cotton, but I think I like the doubled weft better.  At this sett it would be great for a teatowel, but I am contemplating dress fabric.  Judith gave me a bit of 2/22 cottolin to sample with.  I think I will try it doubled in the 8dpi heddles. 


Stay tuned, more experiments to come.  Though maybe a little spinning first, as I have an article for Ply magazine due July 1st.


Plain Weave Frivolities Acadian Style with Judith

Today was the Plain Weave workshop with Judith Rygiel.  Judith has a doctorate in history and did a major post doc study of Acadian Textiles several years ago.  This led her to studying Cajun textiles in Louisiana which she is still working on.  Today she had us try several traditional techniques based on simple plain weave.  I used my Rigid Heddle loom of course!  I warped it last Sunday with 2/8 cotton in two heddles for a sett of 20epi.

Here are my samples from today:

This is Cordons in Weft.  Pretty simple, you insert shots of a heavier weft as it strikes your fancy.  Often it was done white on white.

Cordons in Weft

 I am a geek, yes I am.  This is my iPad open to the Goodnotes notebook page where I took notes on the next sample:

The sample was "Twisted Weft" where you have two weft shots twisting around one another in the same shed.  It creates very interesting chevron effects, and you can use different weights of weft for different effects.  Nancy did one with a strand of 2/8 and a strand of 8/8 that was really neat.  The iPad means that maybe I'll be able to find my notes when I want them!  It also lets me take a picture and write right on the picture.  Here's the sample by itself (sorry it's rotated, the warp is running left to right):

Next was Boutonne.  For this one, heavier weft shots get picked up between warp threads and twisted into little loops.  Shots of the finer weft hold it in.  There is usually a pattern to the loop placement.  Judith showed us a blanket made in Quebec of wool with inlaid Boutonne in snowflake patterns.

Judith almost didn't include this, until we pleaded and she ran down to Eco Equitable and bought some cotton fabric so we could try it.  We were all very interested in Catalogne (Rags).  The left stripe is Twisted Catalogne - 2 rags twisted together in the shed, middle is alternating rag and 2/8 weft, right is just rag weft.  I like the middle and left ones best:  

Then we tried Cordons in warp and weft.  This meant adding heavier supplementary warp threads to the piece.  Traditionally this is most often white on white, but we decided to play with colours.  The raspberry and blue are 8/8, the 2 heavy natural are 16/8 mop cotton and at the far left is natural 8/8.  I wound the extra yarns on a pick up stick to hang off the back of the loom.  It worked okay for a short sample.  They started out pinned into the green section until the weft held them securely.  The last stripe is weft cordon with boutonne.

The 4 of us had a wonderful time today, thanks to Judith who is a patient and knowledgeable teacher.  I learned more than just plain weave variations.  In the middle of the Catalogne section I ran into some tangled warp threads (I have no idea how I managed that).  Sam came to my aid and was rewarded by the radiant heat of my sudden hot flash.  (Why do I not get hot flashes when it's cold?  Why must they wait until the temperature is just nice then sneak up and try to cook me AND my unsuspecting friends?)  When we had to break two of the threads Judith came and showed me how to repair them by pinning one end of a repair strand into the fabric and carefully tying the other end to the broken thread.

I still have a good bit of warp to work with.  Stay tuned.  I have some neat ideas to try.

Why a Rigid Heddle?

I am so full of ideas and inspiration.  And a good dash of stubborn determination.  The "floor loom weavers" keep shaking their heads and wondering why I am bothering figuring out how to make 3 and 4 and more shaft patterns work on the Rigid Heddle.  I have a few answers:

1.  Because I can.  Which is a very good answer, but doesn't quite reduce the crazy factor in their eyes.

2.  Because not everyone has the money and space for a floor loom or even a table loom.  My Ashford RH 32" fully kitted up with pairs of every size heddle and even a stand costs considerably less than even a 15" 4 harness table loom.  It can hang on a wall when not in use, even in use it takes less than a square yard of floor space.

3.  Because my simpler loom has a lot fewer parts to break or need maintenance.

4.  Because my largest RH loom weighs a lot less and is more portable than even a small table loom.  I have friends who can no longer carry a table loom but they can still manage a smaller RH.  I can carry my 32" RH with 2 fingers, my Cricket 10" fits in a shopping bag and I can lift that with 1 finger.

5.  Because the RH is better at some things than floor or table looms.  If I'm careful, I generally have less than 15" of loom waste; I'm a handspinner, remember, I can't stand loom waste.  The RH works at lower tensions, which makes it easier on some yarns.  And I can weave Summer and Winter tapestries which would require more shafts and many more treadles than any floor loom has.  Pick up sticks are a lot easier to use on my loom because it's easier to reach where they need to go.

6.  Because the RH has required that I begin to really understand the interlacement of threads.  The fell line is right under my nose, I really can't miss what's going on.  And I have to handle the heddles and the sticks in such a way that I am aware which threads are up and which are down.  Trying to figure out how to make things happen on my loom means I am learning a lot more about structure a lot faster than I would if I could simply follow a draft.

Yes, a floor loom would be faster for many of the things I'm contemplating.  But I am not trying to clothe my family nor make a living production weaving.  I am weaving because I enjoy the process.  And I am enjoying the challenge of figuring out how to make it work.  Even when it doesn't quite:

Waffle, on the wrong threading, oops

 

The warp is white 2/8 cotton that I threaded in 2 10 dent heddles at 200% to get a sett of 20epi.  It's for Judith Rygiel's "Plain Weave Frivolities, Acadian Style!" workshop I'm taking on Saturday.  It occurred to me that this is the same threading I use for Summer and Winter (at half the density), so I could probably experiment a little beforehand.  I had a draft for a 4 shaft Waffle all figured out on iWeaveit that I was pretty sure would work with just the two heddles and 1 pick up stick.  So I tried it.  And wondered why it wasn't quite working out.  Oh.  Waffle needs a point twill threading; this is a straight draw threading (I am still somewhat astonished that I can say that and both understand it and mean it, only weavers talk like that).  Should maybe not get quite so excited quite so late at night...  Still, it looks really nice, with a really neat horizontal rib effect.  I think I'll do a bit more, just to see what happens when it comes off the loom and gets washed.  I'll keep working on it and let you know how it goes.

My Name is Elizabeth and I'm a Weaver

There, I said it.  I have resisted the appellation for years even though I have had rigid heddle looms for many years, I teach Intro to Rigid Heddle and I've had an inkle loom even longer.  I always saw myself as a capital "K" Knitter and a capital "S" Spinner but a small "w" weaver.  I wove a bit, but I didn't "think in weaving" like I do knitting and spinning.  Somehow, in the last little while that has changed.

It started with this:

Elephant blanket, border almost complete

That would be a blanket in Summer and Winter.  On a Rigid Heddle Loom.  Because I can do tapestry in Summer and Winter with just 2 heddles and a pickup stick. 

I did a bit of it based on an article in the first issue of Prairie Wool Companion (Nov 1981) about 6 years ago.  I made some little "First Aid Kit for Hearts" bags for some kids I was working with

I also made a sampler of many of the possible textures based on the weave structure.  It was supposed to result in an article for WeaveZine, but the on-line magazine ceased publishing before I got it done.

Finally I produced a baby blanket for a friend's first baby:

The Multi-harness weavers collective jaws dropped when I presented this at Show and Tell.  Even their fancy computer controlled 32 harness looms probably don't have enough harnesses to create this. 

And then I let it go for a while.  I didn't produce much, I just taught the intro course.

But then, in January, there was a message from a friend.  Her brand new grandbaby was in hospital and they had run out of suitable Linus blankets for baby boys.  Linus blankets are given to patients at CHEO to brighten rooms and provide comfort.  They had plenty of knitted ones, but they had decided those are not suitable for babies; some babies have caught fingers in the stitches and nearly been injured.  Ann's message was "can't we weave these?"  Of course we can.  So out came the loom and a sense of adventure.  In the process I discovered that the loom might be low tech, but I'm not.  I found a needlework graphing app for my new iPad which set up the graph (StitchSketch).  And I'm using another app to track my place (Knit Companion). 

In the end the elephants blanket might stay with me, as I think it will turn out a bit small, but I have a PILE of other ideas.  So much so that I bought another app.  iWeaveIt is the iPad version of WeaveIt.  It's a drafting program for weaving.  And I really like it, I like figuring out what thread does what.  Which, I think, makes me a Weaver with a capital W. 

Stay tuned.  I have plans.  This loom can do a LOT more than scarves and plain weave and I intend to explore and share.  There will be kits and tutorials.  IF I can keep at it, a tutorial and project kit for Summer and Winter will be ready in time for Twist in late August.